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The musical adaptation of GOOD OMENS has maintained the thrilling fantasy and supernatural elements of the novel.

 

We ultimately envision GOOD OMENS as a major West End fantasy musical that might be considered an alternative to Harry Potter and the Cursed Child but you know, for cynical people.

 

This is theatrical magic writ large, bringing Pratchett and Gaiman’s unique characters and story to a commercial audience, complete with bring flying mopeds, ascending angels, and burning Bentleys.

 

Ingenuity and inventiveness in design and direction is key. Design concepts of GOOD OMENS will draw inspiration from 19th century mechanical theatre, Brechtian minimalism, style inspired by Ivo Van Hove and Marianne Elliot, and a dash of the visionary puppetry of War Horse and Broadway's King Kong.

 

Collaborating with world-class designers and illusionists to elicit a “how did they do that” response from audiences could make GOOD OMENS a particularly unique theatrical event with global potential.

Triple Displacement gratefully acknowledge the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today with whom we work and with whom we share stories.

The development of GOOD OMENS has been generously supported by

© 2026 Triple Displacement Pty Ltd

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